Man-Jewels for Xothar by HAL K. WELLS has an unusual theme. There exists a race of interstellar invaders to whom our Earth, with all its vaunted science and civilization would be of interest only because it happened to be a variety of cosmic oyster bed.
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In Mutiny on Mercury by CLIFFORD D. SIMAK, Mercury offers unusual adventures for beings who could exist under its extreme conditions. Upon the borderine of day and night, an area whose temperature might be within reason for human existence could be found. but life would always be precarious, since Mercury has no atmosphere. It would be a world, such as our author shows, of violence, passion, and sudden death.
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Nothing is so popular these days as the science fiction story which introduces new and alien forms of life. ARTHUR K. BARNES' story of Venusian environment, GREEN HELL, initiates the reader into a world of biological wonders. The strange chloro-men, the darting whiz-bang flies, and the freakish bat-men — Mr. Barnes has managed to combine them all into a top-notch interplanetary adventure yarn.
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In the tradition of “The Expendables” and “The Dirty Dozen”, Hank Brown delivers rock solid military action with just a hint of techno-thriller. Brown paints Rocco’s Retreads with a sold brush that emphasizes gritty, realistic action instead of a troop of invincible soldiers. The fighting is brutal and intense; the characters are recognizable and empathetic. The language of the book is noticeably less crude than one might expect from this type of military fiction, which makes the book that much more enjoyable. The plot is straightforward, and complications derive from perfectly natural mission-creep rather than complexly contrived circumstance. Brown stays on target and develops his characters and story without resorting to vulgarity, graphic violence, or gratuitous sex. This is a book about experienced soldiers on a dirty covert op; the writing is well-rounded and professional.
In the world of 2065, the immersive experience of the Cybernet has replaced nearly every aspect of daily existence. It has unified global currencies. It has allowed perfectly safe social interaction in a world that experienced a global pandemic. It provides jobs, entertainment, and every sort of experience possible through the direct stimulation of the brain. Even if the worst possible thing happens and you are killed, it's just an avatar. Your body is perfectly safe. Until it isn't.
Cyrus and Everett are in the wrong place at the wrong time, when a high-profile personality's avatar gets killed and their actual body is found dead as well. If it only happened once that would be bad enough, but the bodies just keep hitting the floor. Cyrus and Everett, of course, are completely oblivious. Add in the return of an old flame and the involvement of a couple of high-level "metas" - power players in the Neverborn game that defines the virtual world. Top it off with some questionable behavior by the algorithms running the game, and even Cyrus can tell something weird is going on. Someone, or something, is pulling strings to manipulate events in cyberspace.
Flypaper Boy: Coming of Age by Philip "Norvaljoe" Carroll
What do you do with the world's lamest superpower? For starters, you end your first mission getting kidnapped by the bad guys who are determined to brainwash and blackmail you into becoming their next pet supervillain. They're going to provide you with all the training you need, teach you to fight properly, put you through a strength-building regiment fit for the special forces. Not to mention the company of a beautiful girl who makes you the sole object of her attentions. When you're 16, you figure you can handle it. Nothing they can do will prevent you from being a hero.When it turns out they want you to kidnap the teenage daughter of an Eastern European communist leader. It's for her own good, and it will help rescue the entire country. When it's put that way, it doesn't seem like the bad guys are quite so bad.
Flypaper Boy nails the title dead on. This is a coming of age story for Jimmy in many different ways. He's a teenager learning what it means to be an adult. He's an agent in training learning what it costs to enter a world of deception. He's a kid with a superpower learning that power doesn't automatically make him a hero. Most importantly, he's a young man learning that compromise begins with the words "That's not so bad," and ends with a cost that can never be recovered.
Justin Spencer thought he was signing up for a free education and a leisurely tour of duty blasting asteroids out of the shipping lanes. Instead, he bought himself a war.
I enjoyed this series in the same way I enjoyed playing the Wing Commander video games. There is some background for the setting, the bones of a motivation for hostilities, and some cut scenes where the main characters get to know each other, but the primary draw here is the non-stop, slam-bang, seat-of-your-pants starfighter shoot-outs.
There's a lot to like about this series. The action scenes are exciting and vivid, calling to mind my favorite dogfighting video games and movies. The characters are distinct in voice, approach, and motivation; it makes them easy to follow and keeps the large cast from getting muddled. The bad guys are clearly painted, nicely despicable, and a credible threat. The consequences of the engagements are bleak and impactful. The writing is smooth, clear, and natural.
